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sam-and-buck · 4 years ago

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At Home With Captain America

Fandom: MCU

Pairing: Sam Wilson/Bucky Barnes

Rating: G

Words: 7.7k

Also on AO3

“What can you tell me about how you got to know the Winter Soldier?”

Wilson chuckles. “The first time I met Buck—Sergeant Barnes—he ripped the steering wheel out of the car I was driving on the freeway. He got on the roof, punched through the windshield, pulled the steering wheel off. Just like that.” He mimes with his hands as he describes it.

This doesn’t sound like an auspicious beginning to me, but Wilson is laughing.

At Home with Captain America

By: Adrien Davis

Published: February 2, 2026, 3:35 PM

To say I’m intimidated by interviewing Captain America in his own home would be an understatement, and I would never have thought to ask if I could do that if he hadn’t personally invited me. Normally, I’d start one of these articles by describing the location, maybe even throw in an anecdote or two about how I got there, but that’s not going to be possible here.

Sam Wilson lives on [REDACTED] in [REDACTED]. It was a windy day.

Here’s what I can tell you: it’s an apartment. A nice one. Two bedroom, two bath.

“Am I allowed to describe the inside of your house?” is one of the first things I say to him, after getting his permission to turn on my recorder.

“Go right ahead,” he laughs, arms crossed over the worn USAF logo on his gray t-shirt. “Just don’t put the street name in there or anything.”

Wilson gives me a moment to poke around. Whoever decorated this place has good taste; it’s no haphazard bachelor pad. There’s an exposed brick wall in the otherwise slate blue living room, several plants (which I assume are fakes—albeit convincing ones—since Wilson is, by his own admission, not home as often as he’d like to be), a sturdy walnut coffee table, and a magnificently squishy-looking red couch.

It’s unmistakably lived in, though. I don’t get the sense that the place has been scrubbed spotless or particularly arranged for my visit. There are two abandoned mugs on coasters sitting on the coffee table, along with several different remote controls, and a stack of half-finished books with dog-eared corners. A pile of mail has been pushed to the side. Next to the door, a wall-mounted coat rack holds several leather jackets in shades of brown and black, and at least as many sweaters, mostly navy blue, charcoal and maroon. The shoe rack underneath houses multiple pairs of black combat boots, worn running shoes, house slippers. And next to that, on the floor, a large, gleaming silver case with red detail that could only contain Wilson’s Falcon wingpack. The legendary shield is propped up against it, ready to go at a moment’s notice.

I’m trying to imagine how it would be to leave the house for him. Got my keys, wings, phone, shield, wallet?

There are pictures on the walls and the mantle above the fireplace, under the television. People who I can only assume are Wilson’s relatives by their similarly gap-toothed smiles. Veterans. Wilson in full air force gear next to a blond man I don’t recognize. Then Captain Steve Rogers, in the 1940s with the Howling Commandos, and in the twenty-first century by himself. Wilson with Rogers, and Natasha Romanoff. One conspicuously empty nail where a large frame would clearly fit.

Scattered among these are several very old, dour black and white photographs of a dark-haired family. The first shows a mother, father and two small children, a boy and girl. The second is the mother and children only, taken some time after, judging by their apparent ages. The third is several years later still; the same children with light eyes and dark hair, but they’re teeangers now, and without parents. They look haunting and out-of-place among the glossy prints of Wilson’s big, happy family in matching 80s colorblocked tracksuits, or Wilson and his sisters in front of a Christmas tree, surrounded by wrapping paper and toys.

There’s also a wood-framed painting that stands out: an idyllic watercolor of a little farmhouse with a green roof and shuttered windows in a field. A small pile of lumber and a white mailbox make up the foreground. The most distinctive feature is the signature at the bottom: S.G.R. I know those initials.

“Captain Rogers painted this?”

“Uh huh,” Wilson nods fondly, hands now in his pockets. “Man of many talents. Maybe every talent. Having a hard time thinking of anything he wasn’t good at.”

I hear the unstated in that. A tough act to follow.

I think, for purposes of journalistic integrity, I should probably insert my bias before we go any further. We had never met before this interview, but I am and have always been enormously supportive of Captain Wilson and the work he’s done, and have written myriad articles and think pieces about him over the past several years. He’s shown himself time and again to be a man of unshakable integrity and endless emotional intelligence, and frankly, I’m more worried about the poor sucker who’s going to have to follow Wilson. Rogers did a lot of great things, but among the best of them was choosing a successor.

I tell him as much and he smiles, looking down at his shoes.

“Yeah, I know that’s how you feel,” he says. “I requested you for this piece, actually, because of that. People are going to accuse me of wanting a softball interview here, and maybe they’re right. For this one, I think that’s what I need.”

I’m not sure what he means by that, but he continues before I can ask.

“We should probably do this in the kitchen.” Wilson indicates behind us with his thumb, after I’ve stood silently in his living room for probably way too long. “That couch is too comfortable. I end up falling asleep every time I sit on it.”

The kitchen is, perhaps, a little cramped. There’s a large, dark marble-topped kitchen island that just fits in the center of the room with four bar stools tucked under it. The cabinets are tall, with glass doors showcasing a massive collection of healthy, but non-perishable food. The shelf nearest us holds several well-used bags of pantry supplies: chickpea flour, arrowroot starch, raw sugar. There’s a pasta shelf above it, but no Kraft Mac in sight; everything is lentil-based, chickpea-based, black bean-based.

“Have a seat,” Wilson says, inclining his head towards one of the barstools. “Can I get you something to drink?” He opens the refrigerator.

“We have…” he pauses. “Water. Sorry, just got back from Ecuador this morning. Sparkling or still?”

I accept a glass of still water from Captain America. He sits down on the stool next to mine.

His house, or what I’ve seen of it, is homey in a way I can’t imagine any of the late Tony Stark’s buildings ever were, and I mention this.

“I lived at the Avengers Tower briefly,” Wilson tells me. “Tony liked everything streamlined, really modern. Kinda sparse for my taste. I needed some real furniture when I got out of there, you know? Like, things that were made by human beings. Stuff with ‘character,’ that’s what Steve would call it.”

“So you decorated this place?”

“I think it’s about fifty-fifty,” Wilson says, indicated with vague hand motion.

This is my in.

This interview, as you may have read on the cover description, is actually intended to be an exposé about the working partnership between Wilson and Sergeant James Buchanan “Bucky” Barnes, but I didn’t want to be the one who brought him up first.

All I knew going in is that they’re a package deal in the field, a unit. We’ve all seen the footage.

Also, Barnes lives here too, but evidently, he’s not home.

“What can you tell me about how you got to know the Winter Soldier?”

This doesn’t sound like an auspicious beginning to me, but Wilson is laughing.

“I hope he apologized to you for that,” I tell him, because I’m not exactly sure how else to respond.

“Oh yeah, of course he did, even though he knows I don’t blame him for it. He doesn’t remember it at all,” says Wilson. “There are a lot of gaps, to be honest. Most of it is gaps.”

What Wilson is likely referring to here is the decades-long period in which Barnes was under the complete mental and physical influence of the Nazi splinter group known as HYDRA. If you’re unfamiliar with the history of Sergeant Barnes, I’ll list a couple of great articles for you to read at the end of this one. I assure you, it’s worth your time.

Wilson has without a doubt been Barnes’s most ardent supporter. He’s spoken out many times about not judging Barnes based on the actions he couldn’t control, and has masterfully refocused the national conversation towards Barnes’s invaluable contributions in World War II and in the recent war to bring half the universe’s population back into existence. Wilson has been quoted as saying, “The least extraordinary thing about Sergeant Barnes is his vibranium arm.”*

But perhaps Wilson’s most effective act towards building public confidence in Barnes was his decision to designate him as an almost exclusive mission partner. Even if the general populace has been reluctant to trust the Winter Soldier, it is abundantly clear that Captain America does, absolutely. Barnes is a constant in the footage of Wilson’s exploits. The moment he touches down on the ground after a successful arrest or negotiation, Barnes is right there. He’s been sighted treating Wilson’s minor injuries, tightening straps on the Falcon wingsuit before Wilson takes flight, and he stands quietly behind Wilson during almost all of his many public appearances.

Despite his ubiquitous presence in Wilson’s company, Barnes has remained elusive for comment. He has no social media, and the only public statement he’s made to date was in November of 2023, in support of Rogers’s decision to pass on the legacy of Captain America. Barnes expressed his categorical agreement that Wilson is “the best and only choice for this job,” describing him as both “worthy of the honor,” and “equipped for the burden.”**

“Is it fair to say that Sergeant Barnes almost comes with the shield?” I ask.

Wilson makes a face.

“No, it isn’t,” he shakes his head. “The shield is an accessory; my partner is not. I really don’t like it when people lump him in with the shield. It sort of minimizes how Bucky and I have made a series of conscious choices to be the way we are now. Especially because he’s experienced being fully stripped of his personal autonomy—as a veteran, I can say I’ve had a taste of that, but nothing like what he’s been through—and I think it cheapens his choice to do what he does if we imply that he, as a person, is a package deal with my title, you know?”

The therapist in Wilson is showing. In addition to his decorated military history and service as Captain America, he has a background in psychology, and a Masters degree in Social Work with a focus on Veterans’ mental health issues. He’s worked extensively with the VA as a leader in group therapy.

“So Sergeant Barnes is by your side day in and day out because he wants to be?”

This, Wilson has another unequivocal answer for. “Yes. He wants to be there, and I want him there. And here at home.”

“Tell me a little more about that,” I say. “After the...steering-wheel-stealing incident. Once he was more or less himself. Did you two hit it off right away?”

Wilson laughs again. “Not at all,” he says. “I think there was this resentment, kind of, in the beginning. Like I’m Steve’s best friend and no, I’m Steve’s best friend. Real elementary school stuff. He really got on my nerves; just everything about him annoyed me, and the feeling was mutual. Looking back…”

And here Wilson pauses for a moment. He chews on his bottom lip, and I notice all at once how nervous his body language has become. His fingers are drumming on the table, the line of his shoulders is taut, his leg is bouncing. He clears his throat though, and seems determined to continue.

“Looking back, I can see where it was coming from. It wasn’t clear to me at the time, but now I get it. There was this one time, it was during the fight over the Accords. We barely knew each other at this point. Buck and I, we’re fighting Spider-Man—who neither of us had ever even heard of before, like, that afternoon—and he pins us to the floor of this hangar with that goo he shoots out of his wrist. Really gross. I manage to get Redwing [Wilson’s drone] to fling Spider-Man out the window. So we’re just laying there, me and Bucky, stuck. And he goes ‘you couldn’t have done that before?’ And I just turn to him, and I’m like, ‘I hate you.’”

At this, Wilson really starts cracking up. He relaxes visibly, just a little.

“Did you mean it?”

“I sure thought I did,” he says, still chuckling. “Like, I wasn’t about to take it back.”

He continues: “Anyway, so after Steve, you know, passed on the shield to me, that’s when things really changed. Actually, back up a second. After the whole Accords incident, we ended up sending Bucky to Wakanda for like… to hear him describe it, it’s like we sent him for a two-year spa retreat. They unscrambled his brain as best they could—and really, I think it’s a good thing they couldn’t do any more because I wouldn’t wish some of his memories on my worst enemy—and he spent like months meditating in a hut and milking goats and going to therapy every day. When I met up with him again, I barely would’ve recognized him.”

“So that’s kind of when you guys reconciled? The arguing stopped?”

“Oh, it never stopped,” Wilson says with a grin. “We still argue all the time, about all kinds of things. Just ask Rhodey [Lieutenant Colonel James Rhodes, aka War Machine] or Scott [Lang, Ant-Man] or anybody. But the dynamic shifted a little, I think. Bucky’s got… Like I can’t imagine some of the stuff he’s been through, but he’s just kind of learned to roll with it. He is hands down the most resilient person I have ever met. Easily. It was real hard to keep hating him when he was so dead set on getting me to like him, too.”

“Can you walk me through the process by which you two decided to live together?”

“Yeah,” he says, and the nervousness is back. He smooths his hands on his thighs over his jeans. “So, basically, once I got the shield, we’d just barely come back. Like everyone else who got… I—I still don’t know if this is like an okay question to ask people. Do you mind me asking if you were dusted?”

I don’t mind. “Yeah, I was.”

“So you get it,” Wilson says. “Might be the most vulnerable I’d ever felt. I got nothing. Nowhere to go, just the clothes on my back. Then Steve hands me this shield and this enormous legacy—and I look back and there’s Bucky, standing a couple of yards behind me, nodding like, yeah, it should be you. He was the first person who knew, and he’s been right by my side ever since.”

“So you decided to stick together?”

“The original conversation about it was pretty logistical,” Wilson says, rubbing his beard. “There was so much going on, it’s hard to remember exactly what was said, but I think it was along the lines of him offering to fetch the shield for me while I learned how to throw it, and stuff like that. Just easier to do when we’re together 24/7.”

“So rooming together didn’t actually grow out of field partnerships?”

“It was definitely the other way around,” says Wilson. “Basically, I’d get a call from the powers that be that there was something I had to go check out, and it was easier to just walk across the hall than to pick someone else, try to wake them up, and then have to rendez-vous and strategize.”

“I’ll bet,” I say.

Wilson nods. “Easier and faster. Bucky can go from dead asleep to fully geared up in under three minutes. The first few times were like that, with me just knocking on his bedroom door like ‘hey, I need—’ and he comes barreling out covered in knives thirty seconds later like, ‘where are we going?’ We just… clicked. And I’ll be honest; I was really surprised. He’s got my six, I’ve got his, and I never question it. I started asking for him specifically on all my assignments after that, and Fury [Nick Fury, Director of S.H.I.E.L.D.] and everyone caught on quick that that’s how it was gonna be. I don’t have to ask anymore.”

“Do you see this continuing long term?” I ask.

Wilson doesn’t hesitate. “Definitely.”

“How would you describe your relationship with Sergeant Barnes now?” I ask. “Clearly you’re partners in the field, and roommates, but…”

Wilson takes a deep breath. His hands are shaking, but he clasps them together in front of him and looks me straight in the eye.

“As of last month,” he says slowly, “Bucky and I are married.”

In the spirit of my interview with Captain America, who stands for honesty and justice and integrity, I think you deserve to know the truth. I want to say that I didn’t drop my recorder, but I did. It clatters to the floor, luckily undamaged.

That startles Wilson into a laugh. For the second it takes me to retrieve my recorder from under my seat, I wonder if he’s kidding.

“Come on,” he says. “Say something. I’m getting nervous.” He’s smiling, but not joking.

“Congratulations,” I blurt out. “I...really?”

“Yeah.” The tension leaves his body in a rush. “We, uh, it’s official.”

I’m struggling for questions at this point. The talking points I was planning on hitting in this interview are all suddenly moot, and I decide to throw out my mental to-do list entirely. I finally settle on, “How long have you two been together?”

“A little over two years,” Wilson answers. “About three months after I took up the shield.”

“How did it happen?”

Wilson grins. “Uh, well. I had sort of been…having feelings about him, you know, for awhile. Actually, it’s more like I had noticed that I was having more-than-friendly feelings in the few weeks leading up to that. I think the main reason we had so much trouble getting along in the beginning is that it took some time to process those feelings as attraction. So in a way, I was interested on some level right from the get go.”

“Even if that person wasn’t...behind the wheel of their own brain, so to speak—” I start, but Wilson interjects.

“I see what you did there.”

“—I think it would take a lot for me to be attracted to someone who had previously tried to kill me.”

“Less than I would’ve expected, that’s for sure,” Wilson says. “But it’s not like I was checking him out while he was busy tearing my wings off my back; I’m talking about once he was mentally present in his body. That was like...two years after the whole steering wheel incident, and I hadn’t seen him at all in the interim. I didn’t even know where he was during that time.”

“So it had at least been awhile since he had tried to kill you?”

“Oh yeah. And plenty of other people tried to kill me in those two years, and they weren’t even sorry about it. You gotta adjust your standards, you know?” he says with a laugh.

“Anyway, if you ask him, he says he’s been all in since the moment he saw me back in Wakanda after his little vacation. Now we’re talking about four years since the steering wheel thing. Me, Steve, Nat and everybody; we landed in Wakanda and Bucky’s there. He and I look at each other over Steve’s shoulder, and like, bam, that was it for him.

“And then there’s five years where neither of us exist. We get back, we fight the monsters, Steve gives me the shield, and while all this is happening, apparently Bucky has come to the conclusion that he’s in love with me. After that, he was just waiting for me to catch up.”

“And he just knew you’d get there? Did you give him any indication that you were interested, or…?”

“I definitely did, but not intentionally,” says Wilson. “He’s very perceptive—like way more than I was giving him credit for—but I think it’s a combination of that and me not being as subtle as I think I am.

“Because, see there’s this invisible line I’ve drawn here—at least that’s how he was thinking about it—and I keep dancing a little closer to that line every day, the line being the no homo line; the point where you can’t take it back. The flirting, I mean. I, of course, think he has no clue and that I’m being slick about it. Actually, lemme ask—how much detail are you looking for here? Like do you want to know the whole story or just—”

“Lay it on me,” I tell him. “Just however you want to tell it.”

“Alright. Where was I? So I’m just there going back and forth on whether or not it’s a good idea to risk this roommate-partner-buddy thing we’ve got going here by trying to make a move that, frankly, I have no clue if he’s gonna be receptive to. You have to remember we’re talking about a guy from the Great Depression here, like that’s the time period he grew up in. I’m no historian, but I think it’s common knowledge that if you were a man who was attracted to men back then, you mostly kept that to yourself. The chances of him bringing up his sexual orientation unprompted are very low. And like, I’m 90% sure I’ve caught him looking before, but that’s never a guarantee, you know?

“So, instead of sitting down and having a mature conversation about my feelings, I keep doing this thing where, for example, say he’s trying something new with his hair, and I’ll say something nice about it. And then I follow up immediately with, ‘Almost makes up for your ugly mug,’ or whatever, which—I mean, he’s such a good-looking guy, like what ugly mug, obviously I don’t mean that. And he’s not stupid, he knows what he looks like. So he picks up on what I’m doing, doesn’t say anything, and lets this go on for months.

“Eventually, there’s one night… We’re on the couch, watching like, I don’t know, Seinfeld or something. Whatever was on. He’s reading a book on my tablet, looking all relaxed and handsome. I can’t have that, so I start egging him on like I usually do, and I guess I got close enough to the line that he just puts the tablet down, turns to me and says, ‘Sam, you know there’s no line, right?’

“And I’m going, okay, what does that mean? Like, is this a conversation I was previously a part of and forgot or...? Where is this ‘line’ thing coming from? And so I ask him—I think I just said, ‘What?’ At that point he looks me right in the eye, and he goes, ‘You can kiss me if you want to.’” So I did, and he was ready for it, like no hesitation. Like I said: waiting for me to catch up.”

This, as you can imagine, is far beyond the level of detail I could have ever imagined I’d get about Captain America’s love life in my wildest dreams. I decide to ask a new question, because I feel like I’d be pushing my luck to delve further when he’s already been so open about this experience.

“Who proposed and when?”

“Ooh,” says Wilson, “I guess technically I did, but I’m gonna go on record saying that one was a group effort.”

“Well, now you’re gonna have to explain that,” I tell him. “What’s a ‘group effort’ proposal look like?”

“Hmm. I backed myself into that one, didn’t I?” he says. “First, I want the record to show that before I called you guys to set up this interview, I specifically asked Bucky if there were any us-related topics or whatever that were off-limits to discuss and he said ‘No,’ and I said, ‘Are you sure?’ and he said ‘Yes, I’m sure,’ and I said, “You better be sure, because whatever I say is gonna be public knowledge after that,” and he said “I know, I get it, Jesus.” Then I dropped it because he sounded like he was getting kinda irritated. If he didn’t want me to tell you any of this stuff, that would’ve been the time to speak up, so here we go:

“We were at… Well, I can’t tell you exactly where we were, but let’s just say we were working. There was nobody else in the room, but we were getting ready to go out in the field; seemed like it was gonna be a pretty...intense situation out there. I had my whole suit on, he was calibrating his arm, and the conversation ended up at living wills. As you can imagine, that’s an important thing to have when you’re in this line of work. So he proceeded to tell me that the last time he’d updated his was never and that his next-of-kin was nobody. And I was like, ‘So what, your grenade launchers are all gonna go to the state? I don’t even get the red one?’ and I’m just giving him a hard time, you know, and he’s like, ‘Sam.’

“And then, my god, he just goes all the way off about how much he loves me and trusts me and I—we don’t usually go there. I mean, we’d been on the same page for a long time as far as, we’ve established that we’re in love, this relationship is going well, but it’s not something that we’d verbalized in any real depth. That’s just a level of like, exposure, vulnerability, I think, that doesn’t come naturally to most people, myself included.

“So he just keeps talking—and I think it’s fair to say he’s not a very talkative guy most of the time—and I’m standing there with my jaw on the floor because he is not holding back, and this is all clearly unrehearsed. Like, this is just how he really feels about me, apparently. By the time he’s finished, I’m crying, he’s crying, it’s a mess. And so I open my mouth, and I have no idea what I’m gonna say to all that, but what comes out is, “Will you marry me?” I wasn’t planning on it, but suddenly I just knew. Best decision I ever made.”

“And you’ve made some very important decisions in your life.”

“That’s right. I know which ones I’m leaving out by saying this was the best, and I stand by it.”

At that moment, as if on cue, the lock clicks, and Sergeant Barnes walks through the front door carrying two very full bags of groceries on his vibranium arm. He tosses a set of car keys into a little dish and locks the door behind him.

“Hey, babe,” Wilson calls out, catching his eye.

“You did it?” Barnes asks.

“Yeah.” Wilson tilts his head up.

Barnes rounds the corner, pecks Wilson on the lips with all the comfort and familiarity of a couple who have done it a thousand times. I hear him murmur, “Proud of you,” under his breath.

Barnes sets the groceries on the counter in front of me as Wilson introduces us.

“Call me Bucky,” says Barnes, reaching out with his right hand to shake mine. There’s a silver band on the fourth finger, and when I look back over at Wilson, he’s slipping his wedding ring out of the pocket of his jeans and putting it back on his left hand.

“Wasn’t sure if I’d be able to go through with all this,” he says, gesturing to me and my notepad. “I took the wedding pictures down in the living room too, before you got here.”

“I knew he could do it,” Barnes tells me. His voice is low, soft, and so quiet, a hint of an old Brooklyn accent underlying his words even now, despite everything he’s been through and everywhere he’s been. He shrugs out of his nondescript hoodie and tosses it on one of the unused stools, grabbing a kettle and putting it on the stove.

“Hibiscus or chamomile?” he asks me, pulling two boxes of tea bags from one of the grocery bags and letting me choose before turning to Wilson. “Bad news, hon. They were out of your whole wheat pita.”

“Again?” says Wilson, with feeling. “Really?”

“They only had the gluten free. I guess I could check the other store tonight, but it’s supposed to rain later, and I kinda don’t feel like going out again,” Barnes says, head buried in the cupboard as he stacks cans. “I was thinking maybe I could just try making ‘em. How does that sound? How hard can it be, right?”

“‘How does homemade pita sound,’ he says,” Wilson repeats, jabbing a thumb towards Barnes. “Can you believe this guy?”

“I honestly can’t.” It’s the truth. My brain refuses to reconcile this man with the supposed playboy I read about in my 11th grade history textbook, nor the internationally feared assassin.

“Is that a yes or no on the experimental homemade pita?” Barnes asks Wilson, still deep in the cupboard. “No promises on quality.”

“That’s a yes, Buck,” says Wilson, then he turns to me. “Don’t listen to him; he’s a great cook.”

The Winter Soldier is a great cook, I write in my notes. And then I realize this is my moment to shine.

“I actually know a good recipe for homemade pita,” I tell them. “It’s whole wheat.” That gets Barnes’s attention.

“You do?” he says, pulling out his phone. “Can you send it to—hmm.” He frowns. “Sam, it’s not showing the thing.”

“What thing?” Wilson asks, taking Barnes’s phone from his hand. “Oh, yeah, that’s cause it’s set to Contacts Only, Buck, you have to switch it to Allow Everyone.”

Wilson looks at me, smiling. “Bucky here hates technology—”

“—I don’t hate technology—”

“Oh yes you do, you won’t even let me get you an iPad—”

“Yeah, for what? What do I need it for? I wouldn’t even use—”

“You wouldn’t use one, huh? How about I stop letting you borrow mine for a couple of weeks, then we’ll see how you feel.” Wilson turns to me, passing Barnes’s phone back to him. “He should be showing up on your AirDrop now.”

Sure enough, I’m able to send the recipe link to Bucky’s iPhone. He thanks me and starts scrolling right through it, argument apparently totally forgotten.

As Barnes continues to read, periodically checking on the kettle; Wilson excuses himself to help put away the rest of the groceries, which are mostly produce.

“I hope you have like, immediate plans for these,” Wilson says, inspecting the avocados as he pulls them out of the paper bag. “They are ripe, man. Tomorrow’s gonna be too late for them.”

“Yeah I do, I was gonna make grilled chicken and avocado sandwiches for dinner,” Barnes replies. “I got tomatoes, swiss cheese—”

“What’s all this about pita then if we’re having sandwiches?” Wilson asks.

“No, the pita is the bread here,” Barnes explains. “You stuff everything in the pocket. I’m gonna have to get started pretty soon; probably gonna double the rising time since it’s cold out.” Wilson hums in apparent approval of this course of action.

I lose Wilson to the refrigerator for several minutes. He stands back up after arranging things in the crisper to his liking.

“Any chance I could get a peek at those wedding pictures?” I ask.

“Oh,” says Wilson. “That okay with you?” He turns to Barnes, who nods, carefully steeping bags of tea in three steaming mugs, and then leads me back to the living room.

Wilson has stashed two silver-framed pictures in a drawer of the coffee table, apparently in anticipation of my visit, and he pulls them out to show to me. Both are taken in front of a familiar-looking farmhouse, which I struggle with for a moment before placing it as the exact one in Captain Rogers’s watercolor painting that’s hanging to my left. Wilson’s suit in the photo is a matte but brilliant shade of cobalt; Barnes wears black.

One is of just the two of them, arms around one another and foreheads together. It’s almost too intimate to look at; I feel as though I’m intruding on something intensely private, even though Wilson is standing right here offering me a glimpse of it.

He puts that one back up onto the mantle.

The next is them in the center of a large group that consists of some people I recognize and others I don’t. Familiar faces include Dr. Bruce Banner [The Hulk], Clint Barton [Hawkeye], and Maria Hill [Deputy Director of S.H.I.E.L.D.]. Also present: King T’Challa of Wakanda and his sister, Princess Shuri. There’s a young girl in a white dress, carrying a flower basket and missing a front tooth, standing in front of [C.E.O. of Stark Industries] Pepper Potts. Next to them is a teenager with floppy brown hair doing an indescribably awkward double thumbs up.

“Who’s that?” I ask, pointing at him.

Wilson snorts. “Some punk. Family friend.”

That picture gets hung on the empty nail next to Captain Rogers’s painting.

Barnes knocks quietly on the doorway behind us. “Tea’s ready.”

An awkward silence settles in with us once we sit back down in the kitchen, Wilson and Barnes next to one another, and me across from them. I flip through my notes, taking a sip from my mug.. My drink is sweeter than I was expecting, because apparently the Winter Soldier has added agave to the hibiscus tea he made me. It’s delicious.

Barnes eventually breaks. “So whatcha go over so far?”

“How we got together, how we got engaged,” Wilson answers him. “In detail too, so if you don’t want that published, you’re gonna have to grovel at the journalist yourself, because you said—”

“Oh my god,” says Barnes, old-school New York sarcasm dripping from every word. “How dare you tell people about the best thing I ever did, huh? Now they’re gonna think I’m like, a sensitive, good guy, and here I’ve been coasting along on this murder cyborg image. What have you done, you dick?”

Wilson rolls his eyes.

“So...you’re okay with it?” I ask them, absolutely ready to scrub the record if he hesitates.

“You kidding me?” says Barnes. “Every other week comes up some new atrocity I committed against my will in like...the 70s, and you think I’m gonna be upset with people knowing that once in a while I say nice shit to someone I love? Write it. Please. Knock yourself out.”

Okay then. Since Barnes seems willing to talk, I ask them if I can throw them a few questions I have for them as a couple. Barnes looks as though he wasn’t anticipating this.

Wilson turns to him. “You wanna be here for this?”

Barnes nods slowly, hesitantly, chewing on the inside of his cheek.

“You’re okay?” Wilson asks. “You decide you’re done at any point and I’ll end it. Or you can go hang out in the other room, your call.”

“I’m good for now,” Barnes decides. “I’ll let you know if that changes.”

“You can ask whatever you want,” Wilson says to me. “I can’t promise we’ll answer everything, but go ahead and shoot.”

“I guess the first question I have is: what’s the hardest thing about navigating your jobs as a couple? What bothers you the most about that?”

Wilson exhales loudly. “I mean, the obvious answer is the danger,” he says. “The nature of what we do is fundamentally unsafe. I think it goes without saying—I’ll still say it—that we’re always aware that one of us might not make it back from a mission, which is...” Wilson trails off for a moment, shaking his head. “You don’t get used to that feeling. The fear.”

“Mm hmm,” Barnes agrees, from behind his mug.

“And,” continues Wilson, “I’m also aware that by doing this interview, I’m putting Bucky in additional danger. I’m not naive enough to think that the people working against us won’t try to use my relationship with him as leverage against me.”

“That makes sense,” I say, because he’s absolutely right, and pretending that public knowledge of his marriage doesn’t put them both in a new kind of danger seems disingenuous. I face Barnes. “Your turn.”

“Racist assholes,” says Barnes immediately.

Wilson smirks and cocks his head in agreement. “Sometimes I think I’ve talked that subject to death, other times it’s like I could never hope to address it enough. Today feels like the first one.”

A diplomatic, but clear answer. Time to move on.

I’m about to ask the next question when he adds: “Another thing that gets under my skin is how it’s like Bucky’s image in the eyes of the general public is totally dependent on me hyping him up all the time. As far as I’m concerned, he’s proven himself a hundred times over, and yet if I’m not on T.V. reminding people of that every day, it’s suddenly like ‘oh, the Winter Soldier, can we ever really trust him?’

“I just… It bothers me. I want us to come to a collective understanding that everything that happened happened to Bucky, not because of him. It kinda circles back into another of the things I’m passionate about, which is mental health care and awareness. I think if we as a society were better about recognizing and addressing mental illness, and particularly Post-Traumatic Stress Disorder, I wouldn’t have to keep having this conversation about my husband.”

Barnes’s face is getting pinker and he says nothing, but he’s smiling a little at Wilson, who puts an arm around his shoulders.

“Anyway, we can move on,” says Wilson, his expression going easy again. “Just had to get that out there one more time.”

“Hopefully this one’s a little more pleasant,” I say. “What inspired you to come forward about your relationship? I know you guys—” I gesture between them, ”—have been together for a couple years, so why now?”

“I want to go on a date in public,” says Bucky. “I haven’t been on a date since the 40s.”

“That’s right,” says Wilson. “We’re doing all this so I can take him Denny’s and hold his hand over a $6.99 Super Slam.”

When I finish laughing, Wilson continues. “Part of it’s because we realized it’s gonna get out there whether we like it or not. You already knew when you got here that we lived together, and that’s because that information got leaked to the public last week, so it was always just a matter of time before people found out anyway. I’d rather have some control over that narrative; better you hear it from me and Bucky, how we want to tell it, than in some tabloid.”

He’s right about that: they would undoubtedly have been outed one way or another. Their status as “roommates” was reported by TMZ a week and a half ago, and there was a Buzzfeed piece only yesterday, rife with gifs, entitled 15 Times Captain America and The Winter Soldier Made Us Wish We Were Their Third Roommate, that ended on the note of how Wilson and Barnes are “absolute BFF GOALS.” Wilson continues:

“But I think the biggest reason is that we decided, together, that we actually think it’s good for people to know. I’ve seen firsthand the impact that having a Black Captain America has had on the Black community and on the national topic of race, and we think—we hope—that a Captain America who is a member of the LGBT community will have a similar effect.

“The people who already hate me aren’t going to like me any better or worse for being bisexual, but some bisexual teenager out there is hopefully gonna read this article and feel a little bit better about themselves than they did before. That’s really the impact I want to have here. Got anything to add, Buck?”

“Actually, yeah,” says Barnes, staring at the counter in front of him and fiddling with his wedding ring. “I grew up gay in thirties. The idea of being able to just...tell people, that’s still amazing to me. The fact that I’m sitting here talking about it with a stranger and you’re not screamin’ in my face right now…”

“You do know I’m not straight either, right?” I ask him. I’m not exactly shy about that, it’s the kind of thing most people can tell just by looking at me.

“Even so,” says Barnes, finally looking me in the eye. “You fool around with a fella back in the day—or worse, you make a pass and he turns you down—then he knows about you, and then it’s like, what if he tells someone? Some of the worst shit I ever saw came from people who found out that way. So, other gay guys. Basically you never felt safe.”

“What about Captain Rogers?” I ask. “Did he know?”

“Oh yeah, Steve knew,” says Barnes with a dismissive wave of his hand, like that ought to be obvious. “He wasn’t gonna tell anyone; I got too much dirt on him.“

“Pfft. He’s messing with you,” Wilson interjects, directed at me. “There’s no dirt on Steve anywhere; believe me, I’d know by now if there was.”

“I want you to guess how many times I’ve had to clean up Steve’s puke,” says Barnes in a total deadpan, leaning forward. “Whatever number you think it is, the real answer is higher.

“This again,” says Wilson. “I keep telling you Buck, Steve throwing up on you at Coney Island isn’t the big scandalous story you seem to want it to be.”

“Sam wasn’t there, he didn’t see it,” Barnes insists. “We were with these girls and they just left us standing there by the Cyclone, covered in hot dog chunks. Actually, that part was kind of a relief ‘cause one of ‘em was definitely jonesing for me to kiss her before that, and I really didn’t want to.

“But seriously, after everything we went through together, I knew I could trust Steve with anything. And that made me luckier than most—at least I had one person. Lots of guys had no one.

“Anyway, my reasons for coming out with all this are probably more selfish than Sam’s. You know some of those Nazis—we’re callin’ ‘em something else these days, like ‘alt-right’ or whatever, but I know a Nazi when I see one—they have this crazy idea of what I was like back in the day. They’ve got this fantasy, like a golem of toxic masculinity with my face on it, and I just want to publicly shit on their dreams. Every date I ever went on with a girl was a total sham, and I was scared down to my bones that someone would figure that out. I fight because someone needs to and I’m good at it, but I hate hurting people and I’d much rather be sitting here cuddling on the couch with a man. This man.”

Barnes is grinning big and wide by the time he finishes—a real, genuine smile that brings out the sparkle in his eyes—and suddenly I feel like I’m catching a glimpse of what Wilson must be seeing in him. Wilson himself is laughing.

“I like how you snuck your little buzzword in there, baby,” he says. “Toxic masculinity. That’s one of Bucky’s things he learned about from his Wakandan therapist.

“Obviously super important,” Wilson adds, lest I think he’s making light of something serious.

“I think it’s great that we’re talking about it so openly now, especially with respect to the military.”

Barnes tilts his head in agreement, checking the time on his phone. We’re probably approaching the point at which he wants to get started on that pita bread, and I’m definitely in his way.

“So what’s next for you guys?” I ask.

“Isn’t that always the question?” Wilson asks, taking Barnes’s right hand in his left and resting them, intertwined, on the countertop. “Sometimes it’s aliens. Sometimes not. Who even knows anymore?”

“Hopefully, a whole lot more of this,” says Barnes, looking down at their hands.

Wilson smiles. “Well, that’s a given. That’s always.”

This is when Barnes gets up to pull a stand mixer out of one of the cupboards, and I read that as my cue to take my leave. I end my recording, Wilson thanks me for stopping by, I promise to give him an advance copy of my writing to make sure he’s comfortable with what I said, and I find myself standing back on the sidewalk of [REDACTED] moments later.

I’m not typically in the habit of including as many details about the dinner plans of my article subjects as I have here—and I’m certainly testing the limits of my editor’s patience with the word count—but in the spirit of Wilson’s wishes for what his coming out story will mean to the people of America, I wanted to emphasize how human his marriage is.

Barnes and Wilson have extraordinary jobs that they are undoubtedly uniquely suited for and that most of us will never fully understand, but they are also two people who have been through a lot of hardship and found happiness and peace in one another. And that’s something that most of us do understand: love, the human experience that transcends the divisions we give ourselves.

*From a press conference Wilson gave on May 7, 2025.

**From a statement written by Barnes and issued through a S.H.I.E.L.D. representative on November 1, 2023.

For further reading on Barnes, the author recommends:

1. Greatest Generation X: The Impossible Life of James Buchanan Barnes, by Ariel Guzman, published in 2025.

2. R.Y. Uhlencott’s column “The Wolf of Brooklyn” in the October 2024 issue of Time covers the basic timeline and trajectory of Barnes’s life.

#sambucky #sam wilson #bucky barnes #winterfalcon #mcu #marvel #tfatws #sam(antha) tag #my fanfic tag #fanfic

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spn-j2-blog · 6 years ago

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CW Star Jensen Ackles Invites AD Inside His Family Home in Austin

Danneel, a Tony Duquette superfan, was over the moon when Santini brought the stained glass pendants she’d bought from his estate.

The slightly sunken living room with the deep blue banquette couch, white shag rug, macrame chair, and muscular oak beams is Jensen’s favorite space.

The home’s entry was designed to feel like an outdoor living space according to Santini, who sourced an 1850s English table and unusual Swedish lantern from the 1820s to anchor the room. The woven stools are from Tidelli, and the headless deer with ferns are by Italy’s Imperfetto Lab.

Architect Paul Lamb’s significant removal of walls led to a feel-good expansiveness where there are no boundaries. “It all kind of flows,” says Jensen. “You never feel like you’re in just one room.” In the media room, they did the least amount of work, painting the dark ceiling trusses to lighten the space and putting a German smear on the orange-y fireplace to tone it down.

The most Texas room in the house is the Marfa-imbued dining space, where the couple’s cherished Boyd Elder bull skull hangs. It’s part of a 10-piece series from the ’70s, the most famous of which was on the cover of the Eagles’ Their Greatest Hits album. “Back in the ‘60s and ‘70s bands on tour wanted to have an artist with them, and Boyd was like the muse for the Eagles,” says Danneel, adding of the late artist, “I believe he dated Joni Mitchell, and she has one of the pieces.”

Behind the sofa is a gold birdcage artwork by Austin artist Micky Hoogendijk. It’s an observation on “women who seem to be trapped by money and possessions and they’re OK with it; they like living in that gilded cage,” says Danneel. “It looks intense but when you get close to it they’re all smiling and happy and unaware that they’re in this cage because they’re gold and perfect. For me that’s just somewhere I never want to be, so I was really attracted to that.”

Danneel spends a lot of time in the babies’ room (22-month-old twins Zeppelin and Arrow) and the kitchen, where the kids’ favorite toy is a rolling acrylic table from the ‘50s. (“Fern would have a heart attack,” she laughs.) They tore the space down to nothing and built it back from scratch. “It was a totally different feel, and very kind of country looking, which didn’t blend well with the rest of the house,” Jensen says. Now, to Lamb, “the kitchen’s glossy painted wood boards look like pinstripes, crisp and good-natured, like a happy kitchen in the Hamptons.”

“There’s not a space they don’t use,” says Santini of the house she worked on with Jensen and Danneel. The reimagined pool room taps into their proclivity for spooky oddities with framed tarot cards and a game table that could work for board games or even séances, says Lamb, who added a secondary kitchen for big gatherings with access to a barbecue area on the lawn, and a wine room.

A native Southerner, Danneel fought hard for the addition of a screened-in porch, which Lamb had the vision—inspired by Greenwood Plantation in St. Francisville—to make two stories tall. “I wanted more than anything to be able to sit out there, not get eaten alive by mosquitos, and look at the lake and watch the boats go by,” says the actress. Jensen’s favorite piece in the house is the long table, custom made using a 2,000-year-old cypress log that had sunk and was buried on the West Bank of New Orleans.

The bar—black walnut with black and white veined marble—is on one end of the large living room and is the site of frequent small parties involving music, either live or from the McIntosh turntable. The cabinets were specially made to light prized bourbons, and on the side is a white taxidermy peacock Santini tracked down over months. Flooring throughout the house is hand-scraped Texas post oak with character to spare.

The master bedroom and the adjacent sitting room are clad in reclaimed barn wood, juxtaposing the whimsical wallpaper covered in sections by Japanese-inspired barn door panels that allow for flexible boundaries. Jensen said of the scheme, “You guys are losing me, but it sounds awesome, so knock it out!” Danneel already owned the two petrified wood and resin log tables that sit in front of the vintage ‘50s daybed with Mongolian lamb, though the majority of what’s in the home was selected or made specifically for it.

Inspiration for their master bathroom shower came from an Architectural Digest story featuring a steel and glass shower in the home of Neil Patrick Harris and David Burtka. Lit by Apparatus fixtures, Lamb conceived a simple vaulted space with a white oak board ceiling and fumed and cerused walnut cabinets with a slight Tansu feel. A Kyle Bunting cowhide rug is centered on the room, and Holly Hunt ombre-dyed handkerchief linen window treatments frame the lake view.

The pair’s five-year-old daughter, JJ, helped pick out all her own bedroom decor. “The more color the better,” says Danneel. Santini calls it “hippie in training.” Like in the rest of the home, her walls are plaster.

The ultra-private home looks out at a nature preserve across the water. Durable throw pillows around the house were made of old quilts purchased online. “We bought a lot of them and mixed them all up,” says Santini. “There’s nowhere in the house where you feel like you have to tip toe around or can’t sit. That was definitely intentional.”

Inside and out, Lamb and Santini ensured that the Ackleses’ Austin home “expresses them—young, bold, and irreverent. It had to be full of humorous and endearing eccentricities and it needed to radiate a comforting yet exotic familiarity.”

(c)architecturaldigest

There’s a lot going on inside the Lake Austin home of actors Jensen and Danneel Ackles—a lot of color, a lot of texture, endless elements begging their stories to be told. If you need a quick snapshot: The living room is scattered with guitars and, on the shag rug, Technicolor floor pillows; antique Venetian dioramas of Lilliputian-sized rooms are embedded into the white-oak walls, while a hanging cage traps gilded Barbie dolls by Micky Hoogendijk; on top of a shelf housing a record player, a photograph of Tom Waits sits next to a chicken skeleton; a regal white peacock perches on the side of the mercantile-style bar. There’s the master bedroom swaddled in Trove wall covering bearing vintage photography of 1920s opera boxes. And the two-story screened-in porch holds a table crafted from a 2,000-year-old cypress sinker log, a storied Boyd Elder cow skull, and four-foot glass lanterns from Tony Duquette’s estate.

Indeed, Danneel and Duquette share a similar philosophy. “More is more is more!” Danneel says emphatically. “More is the most.” Still, the Ackleses' five-bedroom, 7,500-square-foot residence isn’t actually an ode to opulence but rather an evocative tribute to key passions at the core of their personalities: the music and aesthetics of the late ’60s, Austin’s art scene, and imaginative oddities and occultist ephemera, perhaps appropriate considering Jensen’s longtime role on the CW’s Supernatural.

After deciding to leave Brentwood, California, and coming this close to putting in an offer on a Lake Austin fixer-upper, the couple set their gaze on a house three doors down, sans “for sale” sign. “As we drove by, Danneel and I both looked at our real estate agent and were like, ‘See, that is the kind of house we’re looking for,’” recalls Jensen. Adds Danneel, “we wanted something less ostentatious.” Fortunately, the owner was willing to sell, but the property was far from turnkey and required an overhaul to go from what Danneel calls the “Texas Tuscan look"—generic stuccoed track mansion—to a wood-clad ranch-style stunner.

Jensen and Danneel enlisted Austin architect Paul Lamb and Abode principal interior designer Fern Santini to kickstart what ended up being a very collaborative renovation—even the Ackleses' eldest child, five-year-old JJ, got into the fun, choosing everything in her Pinterest-worthy bedroom. At their initial meeting with Santini, the potential for partnership was evident when she pulled up in an auspicious 1967 E-Type Jaguar. “I mean, it’s just like the coolest thing ever,” says Jensen of the car, which was made in the same year Danneel had said she wanted to recreate in the Austin home so as to pay tribute to the Laurel Canyon bungalow where the couple once lived. “People like Carly Simon had played guitar there,” Danneel says. “It was a magical little place. So when Fern pulls up in that car ... We just bonded over music and a love of that time period and had our vision right off the bat.”

Executing that vision involved blowing out the majority of the house’s interior, taking it down to the studs, and reconfiguring it. “It was very closed and very ‘90s,” says Santini. Extensive structural work was devised by Lamb, one of Santini's frequent creative conspirator. “Paul is from New Orleans and I’m from Louisiana, and we have the same odd sense of humor and style,” says Danneel, who saw a residential elevator he’d done entirely in red velvet and said, “That’s the guy for me!” The foursome worked beautifully together—that is, after Jensen learned early on to keep his mouth shut if and when he doubted any stylistic choices. When shown the idea for a rich, royal blue sofa, “I was like, ’Y’all are crazy!’” says Jensen. “But then I just thought, I’m not going to get in their way.”

Smart man, considering a highly personalized space began to unspool under Santini and Lamb's direction. “It was imperative that the house express the Ackleses—young, bold, and irreverent,” Lamb says. “It had to be full of humorous and endearing eccentricities and it needed to radiate a comforting yet exotic familiarity.” He simplified and opened spaces, flipped the feel from a masonry house to a wood-framed home—thanks to exposed beams, larger expanses of windows, and rich wooden ceilings—and, perhaps most transformational, added a breezy two-story screened porch that altered the entire profile. “The former house was straight-laced and vaguely Mediterranean,” Lamb says. “Now it is an eclectic, free-spirited, Austin-style lake house.” Santini calls it “a cross between Joni Mitchell and the Serge Gainsbourg–Jane Birkin thing that was going on in Paris at the same time. It’s very hip but it’s low-key.”

Musically, the home is rich with sound, thanks to Jensen’s collection of guitars and the McIntosh turntable Santini says she “has real fetish for, after spending my entire career trying to hide stereo equipment.” There’s also a surfeit of historical and meaningful music-related artwork—think photographs of Yasgur’s Farm in Woodstock and a house where Bob Dylan recorded. “The hand-scraped wood floors undulate quite heavily, and we’ve got these giant beams and wood all around that feel like you’re in the hull of a giant ship,” Jensesn says. “What that does is it creates an amazing acoustic sound. We’ve always had music in our lives, and we wanted to pass on that tradition.”

The parents of three also are active supporters of local art. “We’re not the type who need it to all be the same. That’s criminal to me, almost,” says Danneel of their home full of diverse pieces from Austin and Marfa, including female artists from galleries like Women and Their Work. Santini describes the pair as risk-takers who both led the charge on outside-the-box thinking and let her push the limits. In their third home together, the Ackleses hit their stride, nailing a personally reflective infusion of edge, humor, and spirit.

“It goes to that having a history, having a story,” says Jensen, who, with his wife, selects works based on a gut feeling as opposed to popularity or perceived value. It’s the same way Danneel approached design. “We have so many friends who come into the house and are like, ‘Oh my gosh, I love this—it’s so crazy and unexpected. But man, I would have never picked out all these things, and I wouldn’t have been brave enough to do it!’” she says. “I’ve heard this over and over, and I wish more people would just be brave and go with what makes them happy.”

#jensen ackles #danneel ackles #family

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tedswoodworkingreview1-blog · 5 years ago

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dawnjeman · 6 years ago

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New Year, New Beautiful Homes of Instagram

Hello, my wonderful friends! How are you in 2019? Did anything happen? Did a switch turn on, bringing more Light into your heart during this first week of this New Year? It’s been terribly cold, gloomy and dark out there. The weather is miserable and it’s easy to feel the winter blues insistently knocking on my door, but I am not opening it… instead, I decided to take a small break during the Holidays to do what I love the most in life; which is spending time with my family and work whenever I feel inspired. I took a small break and I am finally feeling like myself again… nothing makes you feel more centered than being able to slow down and hear your own thoughts, and that was exactly what I did.

During this New Year, I certainly hope to continue to listen to what’s inside of my heart and that goes to what I want to share with you here on Home Bunch. I have to be completely honest with you guys. I am tired of cold homes, everything looks the same these days. Although I will always bring the latest trends to my readers, one of my main goals this year is to share homes that feel more like real homes, homes that have character and feel loved, and that starts with this year’s first “Beautiful Homes of Instagram”. Please, get to know Erin from The Heart and Haven. She’s someone that will inspire you to transform your current home into your “home-sweet-home”!

Hi, my name is Erin @theheartandhaven and I’m a home renovator, home décor enthusiast and mother. I have always enjoyed staring at all the pretty things, but I never realized how much joy I would find in creating them until my husband and I bought a 1950s fixer upper about five years ago.

My husband and I are high school sweethearts from the Jersey Shore. We dated long-distance throughout college and upon graduation, we decided to move across the country to start our life together in Los Angeles. I worked in television before deciding to become a stay at home mom when I had my first son. I now have two boys, ages 7 and 4.

After getting married, we purchased a newly-built, builder-grade condo in Los Angeles and while the finishes were not exactly my taste, I was excited to just have a place to call our own and honestly never thought about changing anything. Two years after having my son and really craving some private outdoor space to have him run around, we searched our neighborhood to find a house. We found a corner house only a few blocks away on a beautiful, wide tree-lined street. It was custom built in 1950, and nothing had been updated since then. The house was head- to-toe covered in orange wood (floors, ceilings, walls, you name it!). The bathrooms had parquet linoleum, the staircase had scrolling wrought iron and each room had ceiling fixtures hanging so low that it made the 8 ft. ceilings feel much smaller. Having no reno experience under my belt, I still felt that this 2400 sq. ft. house had potential. Thus began our renovation journey, and we lived through all of it! I don’t think I knew what my style was when we started renovating our home and decisions often had to be made quickly. There are some things I would change, but I have learned so much throughout this process. And five years later, I think I have found my casually modern, beachy-boho style through decorating it , and it has truly become a passion of mine.

New Year, New Beautiful Homes of Instagram

Our kitchen was the last major renovation. After living in what felt like a wooden cave, I wanted our new kitchen to be light and bright. We took down the wall that separated the kitchen from our playroom to open it up. I had always wanted an island but, due to building codes, the island would have been very small. So, I adjusted my vision and was able to have the counter space and seating area by making it into a peninsula instead.

Peninsula measures 6 ft x 4.5 ft. and counters are Salt White Marble.

Paint Color: Valspar Mountain Mist.

Kettle: Crate & Barrel.

“Let’s Stay Home” sign: Here.

Runner & Flooring

This pink kitchen runner is one of the cheeriest pieces of home décor I own. I paired it with the wallpaper to make our kitchen more playful.

Runner: Here.

Flooring: Wickham Hardwood, Maple (color Walnut) – similar here, here & here.

Cabinet Paint Color

Kitchen cabinets are Maple, painted Benjamin Moore White.

Canisters: West Elm.

Backsplash is Daltile Subway Tile, 3×6 in Arctic White – similar here.

Appliances: Thermador Range, GE Café Series Refrigerator.

Marble Clock: Sur la Table.

Cabinet Cup Pulls: Hickory Hardware.

Sink & Faucet

While it might not be the most picturesque faucet, I love how we can turn the faucet on and off without dripping on our marble counters. Definitely a functional win!

Kitchen Faucet: Faucet, Moen Motionsense Chrome.

Kitchen Sink: 33” Farmhouse Fireclay Sink.

Kitchen Towel: Kate Spade.

Lighting & Barstools

When choosing the pendants over our peninsula, I didn’t want to compete with the chandelier in the nook. These cone pendants with their antique brass interior echoed the glam of the chandelier without overwhelming the space.

Barstools: Serena & Lily.

Lighting: Visual Comfort – 15 Inch Wide.

Utensil Holder: West Elm.

Breakfast Nook

I loved the idea of a breakfast nook and wanted to make it feel special, so I went with wallpaper and a statement chandelier. I think the wallpaper adds so much personality to this otherwise all white kitchen. I then paired it with a more rustic feeling table and chairs to contrast the crisp, geometric design.

Table is RH – similar here, here, here, here & here.

Chairs are RH – similar here & here.

Pillows: here, here, here, here, here & here.

Chandelier & Wallpaper

Wallpaper is from Serena & Lily in Denim.

Chandelier is Visual Comfort.

Playroom

After taking down the wall between the kitchen and the playroom, this is now our view. Since this is the room my sons hang out in the most, it had to be functional for them but also flow with our kitchen.

Sofa is from HD Buttercup

Window Treatment throughout home are plantation shutters by American Vision Windows

Paint Color

The barstools had to become part of the design for the playroom because of the open concept, so going slightly more coastal in this room with the oversized beach print and using blue accents in the room helped tie things together.

Paint color is Valspar Mountain Mist.

Inspired by this Look:

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Sofa

Some might think a white sofa and children do not go together. And they would be right! However, I love the crisp look of a white sofa so I chose a slipcover that can be removed and washed.

Sofa is from HD Buttercup.

Ottomans: Etsy.

Artwork: Minted.

Rug: Pottery Barn.

Mudcloth Pillow is by Bryar Wolf – similar here.

Playroom Media Center

Not fancy or even perfectly styled, but that is mom life! This media center holds all the extra toys and books and games.

TV: Samsung.

Gray bins are from IKEA – similar here.

Media Center: Pottery Barn.

Knobs: Restoration Hardware Dillon Knobs.

African Wall Baskets: Etsy.

Desk

Both the desk and window-seat are IKEA hacks. I upgraded the desk by swapping out the hardware and I made the IKEA Kallax bookshelf-turned-window seat feel more custom by adding a bench cushion.

Rattan Mirror: Pottery Barn.

Vintage rug found on Etsy – similar here.

Window

Pillows and bench cushion by Tonic Living – Similar Bench: here (on sale!) & here.

Bins found at Target.

Living Room

Our sectional is actually a recliner and the chaise lifts up for hidden storage. I love how functional it is for our family.

While there is still updating to do to this room, we recently removed the metal stair railings and replaced it with a wooden banister. Painting and staining the banister was a beast! But it was well worth it.

Stair posts are Benjamin Moore Super White and stain was a custom mix.

Artwork on wall by @sarahcnightingale.

Sofa: West Elm.

Paint Color

Wall paint color is Benjamin Moore London Fog.

Rug is discontinued – similar here.

Seagrass lidded basket: here – similar.

Fireplace

Choosing a split-faced stone for the fireplace is still one of my favorite design decisions.

Stone: Wayfair.

Chair: West Elm.

Moroccan Leather Pouf: here.

Fireplace Sconces: Pottery Barn.

Shelves

Believe it or not, farmhouse style was my first love.

Shelves are IKEA and I spray painted the brackets Rustoleum Hammered Copper.

Grid Photo Frame: McGee.

Walnut Frame: McGee.

Brass Bells: McGee.

Rustic Vase: Here.

Artwork on top by @sarahcnightingale.

Others items mix of flea market and HomeGoods finds (including bottom baskets) – similar baskets: here.

Coffee Table

Coffee Table: here.

Coffee Table Decor: Wooden Bowl, similar moss, similar wooden beads & similar vintage bells.

Sofa Pillows: here, here, here & here.

Dining Room

I love earthy elements and this rustic dining table is the perfect combination of form and function. With all of its raw imperfections, the kids can be as rough as they want with it and I don’t mind.

Dining Table & Bench: West Elm.

Rug is vintage – similar here, here, here, here & here.

Wooden Candle holders are locally sourced.

Planter in corner is from HomeGoods – similar here & here.

Good Vibes

There is a casualness about my design style which is probably why I gravitate towards word art. And I love the boldness of this black and white piece.

Artwork by JaxnBlvd.

Stool: Target.

Dining Room Chairs

The white wishbone chairs help to bring a lightness to this space which doesn’t get a lot of natural light and the chairs’ low profile makes this small dining space feel bigger. Paint Color is Benjamin Moore London Fog.

Chairs are by InMod – similar here, here & here.

Lighting: West Elm – similar here.

Mirror: here.

Floor basket: Pier 1.

Kids Corner

This was a fun IKEA hack that I did for my 7 year old’s room. I took the IKEA Kallax shelf unit, chose two different color doors and then spray painted the letters. Wall color is Valspar Ghost Ship.

Pillows by Tonic Living – similar here.

Rug & Seagrass boxes from Homegoods – similar rug & baskets.

Shelf and baskets from IKEA .

Reading Nook

These fern decals make this reading nook a lot of fun for my four-year-old. And while I would have loved a hanging chair, I didn’t think it was practical for my boys so I opted for this caged freestanding chair instead.

Decals by Urban Walls.

Chair: World Market.

Paper Mache Animal Heads: Fox, Rabbit & Deer.

Elephant Side Table: Serena & Lily.

Rug: here – similar.

Prints by Society6.

Guest Bedroom

Adding board and batten was a game changer in this room. It instantly made the guest bedroom feel loftier than its standard 8 ft. ceiling height.

Leather Bed: CB2.

Duvet Cover: here.

Nightstand: West Elm.

Throw: here, here & here.

Rug: here.

Paint Color

Paint color is Benjamin Moore Chantilly Lace.

Candle Holders: Crate & Barrel.

Pillows: Black & White & Bolster Pillow – similar.

Artwork: here.

Guest Bathroom

This small bathroom was the first major renovation we did when we moved in. There was literally a treasure chest inspired toilet box in here and, much like the rest of the house, tiles and walls were orange-brown. Having no prior design experience, I went with timeless marble and this little bathroom still makes me happy.

Bathroom wall paint is Behr Sterling.

Vanity: Wayfair.

Faucet is Kohler Bancroft.

Mirror: Uttermost.

Hand Towel: McGee.

Wood pot from HomeGoods.

Floor Tile: Wayfair.

Master Bathroom

This is our only bathroom upstairs, so it was important for us to keep a separate tub for our kids. Paint color is Behr Light French Gray.

Paint Cabinet Color: Benjamin Moore Simply White.

Tile is Ceramiche Caesar Porcelain Tile in MORE Manhattan – similar here.

Rug is from HomeGoods – similar here & here.

Vanity: Pottery Barn.

Art Print from Serena & Lily.

Crytal knob by Emtek.

Tub: Wayfair.

Stool: Serena & Lily.

Master Bedroom

I love having a neutral bedroom that I can easily switch up by swapping out pillows and throws.

Bed: Wayfair.

Blue quilt from HomeGoods.

Throw: Etsy – similar here.

Full Length Mirror: here – similar.

Rug: Lulu & Georgia.

Textures

Bench from RJ Imports – similar here.

Duvet Cover: Anthropologie.

Wall Basket: here – similar.

Pillows: Velvet Pillows, Mudcloth Pillows, Lumbar – similar.

Stripe vase from Crate & Barrel.

Faux Stems: Crate & Barrel.

Nightstands from Crate & Barrel discontinued but similar ones here, here, here & here.

Paint Color

Paint color is Chantilly Lace by Benjamin Moore.

One of my favorite things about this house is the amount of closet space. Our master has a his and hers closet. The smaller one behind that door is the his, of course.

Ladder is from Crate & Barrel.

DIY

The wall art here was an easy DIY. I put mudcloth scraps in black frames to give this corner a boho chic look.

Chair from HD Buttercup – other beautiful chairs: here, here, here & here.

Side table: here.

Bench: here.

Dresser: Pottery Barn.

Desk

Desk from Restoration Hardware – other beautiful desks: here & here.

Chair is from IKEA – similar here.

Pillow: Serena & Lily.

Hanging planter is from Homegoods – similar here.

Baskets: Serena & Lily.

Rug is from Homegoods – similar here, here, here, here & here.

Many thanks to Erin for sharing all of the details above.

Make sure to follow Erin on Instagram to see more of her beautiful home!

Amazing End-of-Season Sales!

Thank you for shopping through Home Bunch. I would be happy to assist you if you have any questions or are looking for something in particular. Feel free to contact me and always make sure to check dimensions before ordering. Happy shopping!

Serena & Lily: Tent Sale Up to 70% off! – Enjoy an Extra 20% OFF. Use Code HOORAY

Wayfair: UP to 75% OFF – Huge Sales on Decor, Furniture & Rugs!!!

Joss & Main: Best Prices of 2018 – Up to 70% Off

Pottery Barn: Buy More, Save More – 20% Off Sidewide + Free shipping: use Code: HELLO19

One Kings Lane: Final Days to Save: Take an Extra 20% Off Markdowns with Code OKL20MORE.

West Elm: Big New Year Sale: 20% Off Your Entire Purchase! Use Code: NEWYEAR

Pier 1: Huge Sales – Up to 60% Off!

Anthropologie: Winter Tag Sale: All sales at an extra 40% Off! Amazing!

Posts of the Week:

2019 New Year Home Tour.

Family-friendly Home Design.

Christmas Inspiration.

Interior Design Ideas.

Small Lot Modern Farmhouse.

Transitional Home Design.

Newlyweds Home Design.

Family Home Renovation with Casual Interiors.

2018 Norton Children’s Hospital Raffle Home.

Beautiful Homes of Instagram: California Beach House.

Neutral Home Interior Ideas.

You can follow my pins here: Pinterest/HomeBunch

See more Inspiring Interior Design Ideas in my Archives.

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